In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.

Pier Paolo Pasolini was an Italian writer and filmmaker. In interview footage, Pasolini is seen explaining his filmmaking philosophy. While Pasolini's words are read in voice over, the Italian settings of Pasolini's films are shown. In clips from his films, viewers can experience examples of Pasolini's filmmaking art. Commentators illuminate the connection between Pasolini's life and his art.

France, Italie - 2001 - 93’ La confrontation des pensées et des impressions du scandaleux artiste italien aux réalités de la société contemporaine.

Actor Tilda Swinton and writer Rachel Kushner read from Pasolini’s personal essays and journal entries, in which he reflects on the meaning of cinema in his life and his journey to becoming a maestro of the craft.

Armenian-American filmmaker Theodore Bogosian travels to eastern Turkey in search of his birthplace and the history of his family, who were killed during the massacres of the 1910s. Filming under restrictive conditions, he explores competing narratives surrounding the events.

The first film in the series “Stories of an Old Sailor.” The young crew of the bathyscaphe “Bold” explores the underwater world and gets to know its inhabitants.

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Paolo’s ordinary working-class existence is upended when he encounters the ambitious, and magnetic local politician Téophane, an old school mate. What begins as admiration and a desire to help Téophane’s campaign, soon spirals into an all-consuming obsession, leading to a deadly ride in this intense psychological Ripley-style thriller.

一部意大利电影《非洲，再见》（Africa Addio）以雅科佩蒂（Jacopetti）和普罗斯佩里（Prosperi）1960年的著名电影片名作为重大修正项目的第一步，该项目旨在修正过去和现在对殖民主义和帝国主义怀旧情绪的认知，分析这些观念如何被移植并渗透到当下全球化背景中。